An overworked woman tries to improve her standing with men using a self-help video.

Physics, geology, and democracy collide across the expansive American interior, in a series of vignettes from six candidate sites for a sacrificial nuclear dumping ground.

Borrowing words from Laura Mark's 'Transnational Object' and DW Winnicott's 'Transitional Object', all carefully etched into the 16mm film surface, Nazli Dinçel's latest work BETWEEN RELATING AND USE is an attempt to work ethically in a foreign land. Transitioning from assuming the position of an ethnographer, we turn and explore inwards – on how we use our lovers.

Borrowing words from Laura Mark's 'Transnational Object' and DW Winnicott's 'Transitional Object', all carefully etched into the 16mm film surface, Nazli Dinçel's latest work BETWEEN RELATING AND USE is an attempt to work ethically in a foreign land. Transitioning from assuming the position of an ethnographer, we turn and explore inwards – on how we use our lovers.

一名男子掉进冰封的湖里后死亡。在死亡几分钟后，他被救活了。一种新药在他身上进行测试，以修复脑部损伤。服用这种药物后，他变得越来越聪明。

A man falls into an ice covered lake and dies. He is brought back to life after being dead a few minutes. A new drug is tested on him to repair brain damage. He grows increasingly more intelligent from the drug.

On her 70-year career, Louise Bourgeois has established herself as a world-renowned artist who left an indelible mark on the art world. This film offers an intimate portrait of this sculptor whose art is a reflection of her personal life. With exclusive audio recordings and unpublished personal archives, it tells the story of the artist’s life and work as they merge. Louise Bourgeois is her work and her sculpture is her body.

Carmen, an attractive 40 year old woman, suddenly belongs a widow. For her, the emptiness feeling is new and disorienting. Trying to rebuild her life, Carmen finds that men around her are interested in offering her more than a shoulder to mourn. The unexpected pregnancy of his daughter, putting even more pressure on Carmen. She brings her daughter back and to look after the baby together. This becomes one more element to overcome in their efforts to organize themselves.

In the mockumentary "How to Tatort," Jasna Fritzi Bauer, Luise Wolfram and Dar Salim have to prove that they have what it takes to be part of the "Tatort" team. In the style of a fictional documentary, the series accompanies the newcomers during their fictional preparations for their roles as the new Bremen Tatort team - with plenty of satirical exaggeration and a whole lot of self-irony.

A feature length film revolving around Martin Creed's childhood memories. A little boy growing up, seen through the eyes and hair of a young woman. A coming-of-age story told in episodes from conception through the very earliest moments of infanthood to high school, art education and first love. An interwoven story of clothes moves up the body from socks and shoes to trousers and hats. Along the way some various helpful guides to side of life are offered in the form of chapters on "The Trouser Problem" and "What Are Moustaches For?". Based on a true story, memories were filmed in the places where they happened, including Lenzie Academy, Glasgow, where current-day students of the school perform in scenes from their of bullying, misbehaviour and sports. Other, dreamlike acts were filmed in an odd admixture of locations including Las Vegas, USA, and Ascoli Piceno, Italy. John McEnroe features in one fantastical scene on a Malibu tennis court.